Updates
''The Bass Brindley Sherratt On A Glyndebourne Summer"
He’s all over the Sussex festival this year. But why did one of our greatest singers get off to such a slow start?
RPS Music Awards - Singer Shortlist
"Our jury was bowled over by Brindley Sherratt @bassbrinbald who played Baron Ochs in Der Rosenkavalier @WNOtweet, and have placed him on the #RPSMusicAwards Singer shortlist!"
The Royal Philharmonic Society on Twitter - @RoyalPhilSoc
Sweeney Todd - Opernhaus Zürich 2018
JUST ANNOUNCED: Brindley will sing the evil Judge Turpin alongside Bryn Terfel and Angelika Kirschlager in a new production of Sweeney Todd by Andreas Homoki at the Opernhause Zürich in November 2018.
Brindley Sherratt's Guest Performance At The International Opera Awards 2018
The ceremony featured performances from several artists, including some of the evening’s winners. Brindley Sherratt sung Claggart’s aria from Billy Budd.
The Royal Opera House - 2017/18 News
JUST ANNOUNCED: Brindley will be performing the role of Fafner in Wagner's Der Ring des Nibelungen, and as John Claggart in Deborah Warner's new production of Benjamin Britten's Billy Budd.
"Divas And Waitrose ... Brindley Sherratt, Bass" Interview With OPERA SHOW
Brindley sat down to chat to Opera Show.
REVIEWS: Fafner (Das Rheingold) London Philharmonic Orchestra/Jurowski
“Brindley Sherratt as Fafner...baleful in tone and scarily duplicitous...”
Tim Ashley, The Guardian, 28 January 2018
REVIEWS: A Child of our Time - London Philharmonic Orchestra
“Singing almost entirely from memory, Brindley Sherratt imbued his Baroque-influenced parlando with telling gravitas and engaged in magisterial dialogue with the chorus in ‘Go down, Moses’. Every word was crystal-clear: as Sherratt’s deep, focused bass reverberated, phrases such as “They took a terrible vengeance” and “The words of wisdom are these” made my spine tingle.”
Claire Seymour, Classical Source, 15 January 2018
REVIEWS: John Claggart (Billy Budd) Aldeburgh Festival
“The joker in the pack – no, joker is definitely the wrong word – was the addition of Brindley Sherratt’s matchless Claggart to the company. The great British bass, still currently on Baron Ochs duty for WNO, revisited the role with which he scorched Glyndebourne’s earth in its revival production and delivered a performance of staggering presence and baleful intent. Herman Melville’s master-at-arms is a creation of pure evil, more a brother than a cousin to Otello’s Iago, and Sherratt’s interpretation of it was a masterclass in malignity and power.”
Mark Valencia, Bach Track, 25 June 2017
REVIEWS: Baron Ochs (Der Rosenkavalier) Welsh National Opera
“Brindley Sherratt is superb as the lecherous, arrogant Ochs; in an unusually nuanced reading of the role, it’s his very sense of entitlement that signals the death knell of an already outdated social hierarchy.”
Steph Power, Opera News, July/August 2017
"Singing? I'm still trying to get the hang of it..."
“Honestly, I’m a little daunted by this. The next few sentences were going to be full of reasons why I don’t think I’m qualified to hand out advice on something that I seemed to just stumble into and am still, daily, trying to get the hang of. On the other hand, I am getting a bit wrinkly and I am beginning to notice with alarm that younger folk often pipe down as I, the strong and stable wise old sage, start to tell my stories. And so on that basis, and because I have sung a lot of notes in a lot of places, I shall get on with it.”